![]() ![]() Is it perfect? No, but it provides a good overview of what is out there and when you describe typefaces using the terms you’ll learn in this series, anyone who is reasonably familiar with typography will know what you’re talking about. The material in this two-part series draws heavily from the Vox-ATypI system, which is the most “official” of the systems today, having been adopted by the Association Typographique Internationale in 1962 and still the most commonly referenced system. None of these are complete or all-encompassing, but they’re helpful as an aid to study as well as for learning to use type correctly and effectively. ![]() Type has been classified in many ways over the years, both formal and informal - Thibaudeau, Vox, British Standards, etc. If you already have read it, here is a quick recap to get us started before we move on to the new material. It lays important groundwork for this article, covers the categories of serif typefaces, and contains plenty of useful information about the development of serif type. If you haven’t read part 1, now’s your chance to go over it. Part 2 will primarily cover sans typefaces, with a nod to display typefaces and other less common categories, as well as address a few of the questions people have about whether type classification is helpful and necessary. Unfortunately, we only got as far as Roman (traditional serif) typefaces and the early-19th century. In the first installment of this two-part series on type classification, we covered the basics of type classification - the various methods people have used, why they are helpful, and a brief survey of type history, classifying and identifying typefaces along the way. ![]() Many typefaces combine characteristics and could easily fit into multiple categories, and no classification system can cover all of the possibilities. While type classification is an important aid to studying type, it is not a hard and fast system that cannot be questioned. ![]()
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